Music Production
“I’ve suffered for my art. Now it’s your turn.”
James has haunted festivals, nightclubs and A/V spaces since the 90s. Now primarily (although not exclusively) focused on studio work, he has returned after a long period focusing primarily on visual and textual projects.
Tomorrow’s Forgotten Relics
A studio project that’ll hopefully evolve over time….
lost in myth, EP
Coming January 31, 2025
"Artrock for Endtimes"
Tomorrow’s Forgotten Relics (TFR) finds its footing in retrofuturist contrasts: raw yet deliberate, familiar yet elusive. Rooted in bass-driven art rock, lost in myth channels the grit of bluesy grunge and avant influences without succumbing to their clichés, pairing this foundation with a distinctly progressive sensibility.
With an ear for clarity amidst maximalism, the tracks build toward moments of density where each instrument retains its presence and voice. Strong, elemental melodies serve as grounding points while the compositions twist and evolve, embracing unexpected turns with confidence.
A fitting soundtrack for a world in flux.
Demo
After a long hiatus from music, the 6 track Tomorrow’s Forgotten Relics demo EP debuted Sept 9 2022 on Bandcamp, followed by iTunes, Spotify, YouTube Music and other major streaming services.
Archive of Pre-2012 Albums:
HoodooEngine: Murder The World (guitar, bass, co-production)
HoodooEngine: EgoWhore (guitar, co-production)
subQtaneous: Some Still Despair In A Prozac Nation (bass, guitar, drums, co-production)
Babalon: Dreams and Reflections Live EP (bass, co-production)
Bradley The Buyer: Used Using People LP (drums, add'l guitar, co-production)
Veil of Thorns: Cognitive Dissonance (drums, co-production)